News for February 2015

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10 November 2017

Experience Japan 2017: An introduction to study and work opportunities in Japan

The Experience Japan Exhibition is now in its seventh year. The event gets bigger each year with more and more people taking part to find out about the growing range of study and work opportunities available in Japan. Experience Japan 2017 will take place at the Royal Society, 6-9 Carlton Terrace, London SW1Y 5AG on Saturday, 18 November, 12:00 – 18:00. Admission is free of charge.

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7 November 2017

Butoh Training by Florencia Guerberof: 13 & 15 Dec 2017 at Siobhan Davies, The Roof Studio

Butoh Training by Florencia Guerberof: this Butoh Training will take place on the evenings of the 13th and 15th of December. The two three hours sessions will be preceded by a guided warm up starting at 5.45 PM, fifteen minutes prior the start of the Butoh training. Please note that arriving on time for the warm-up is essential. Be prepared for a very intense and physically demanding practice.

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30 October 2017

AREThe Festival: Japanese Ceramics and the Way of Tea - 5 November 2017

AREThé Festival: Japanese Ceramics and the Way of Tea – 5 November 10am-5pm. A study day celebrating Japanese ceramics and tea culture from talks, throwing demonstrations and Tea Ceremony in the Ashmolean to Raky Firing and Anagama Kilm opening at Wytham Woods (bus transport provided). With an evening reception at Oxford Ceramics Gallery. The programme of events is supported by the Daiwa Anglo-Japanese Foundation and the Great-Britain Sasakawa Foundation.

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18 October 2017

Sainsbury Institute for the Study of Japanese Arts and Cultures

Vacancies: Lecturer or Senior Lecturer in Japanese Arts, Cultures and Heritage at SISJAC/UEA

Applications are invited for either of the above posts, which will initially be based in the Sainsbury Institute’s offices in the Cathedral Close, Norwich and later to be based on the UEA campus in the Norwich Research Park when the Institute is relocated within a few years. The successful candidate will strengthen the Institute’s research profile, develop and deliver its new MA teaching

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News

23 February 2015

'Sound and Vision' at LGLondon - curated by Jonathan Watkins and featuring work by Yukio Fujimoto and David Cunningham

Sound and Vision at LGLondon is on from 21 February to 11 April 2015

This exhibition, curated by Jonathan Watkins, Director of the Ikon gallery in Birmingham,  focuses on the nature of human perception. The circumscription of our aural and visual experience – simply, through the way our bodies work – is played on by David Cunningham (b. Ireland, 1954) and Yukio Fujimoto (b. Japan 1950) in order to achieve compelling artistic outcomes. They make the most of the truism that we only hear what we can hear, and see what we can see. This is the first time Cunningham and Fujimoto, both equally acclaimed and influential internationally, have exhibited together.

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18 February 2015

'Fog invites people' - Fujiko Nakaya, 'Fog Bridge' artist, was in conversation at Tate Modern on 17 February 2015

Over a career spanning 40 years, Fujiko Nakaya has pioneered the use of water vapour as a sculptural media. Nakaya has fabulous English, so it was not surprising to hear that she had gone to school in Chicago. Later on she returned to New York to study. In her entertaining talk at Tate Modern yesterday, 17 February 2015, she gave an overview of her work and also engaged in a question and answer session. She is effortlessly charming and humorous.

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17 February 2015

Former Daiwa Scholar, Guy Mayman, is taking part om DATAMOSH at Oriel Wrecsam until 21 March 2015

Former Daiwa Scholar, Guy Mayman is taking part in DATAMOSH at Oriel Wrecsam until 21 March 2015.  DATAMOSH came about when artists Paul R Jones and Guy Mayman discovered a large archive of 35mm slides, audio cassettes and A4 booklets earmarked for destruction at the Art School where they were working. This material was no longer wanted because of a perception that it had been rendered obsolete by the digital hardware and Wi-Fi access ubiquitous in the 21st Century.

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