Noguchi Rika, “The Lucent Sea”, 2021/2023, Single channel video, 16:9 HD, color, silent, 9'40" © Noguchi Rika / Courtesy of Taka Ishii Gallery

Private view

Tuesday 8 October 2024
6:00pm – 8:00pm

Private View:
Life on Planet Earth by Noguchi Rika

Drinks reception: 6:00pm – 8:00pm

13/14 Cornwall Terrace, Outer Circle (entrance facing Regent's Park), London NW1 4QP

Organised by the Daiwa Anglo-Japanese Foundation

Join us for a private view of Noguchi Rika’s first solo exhibition in the UK since 2004, Life on Planet Earth at the Daiwa Anglo-Japanese Foundation.

Combining video and photographs, this exhibition conveys a sense of wonder at being in the world as well as the particularity of being human. This is epitomised by Hand and Rainbow (2010), a photograph of the shadow of a hand holding a glass cube splitting white light into a spectrum of colours, from red through yellow and blue to violet.

Rainbows, wonderful, also remind us of the limits of our perception: for example, we can only see within a narrow band of electromagnetic light waves. Noguchi, who became renowned early on for her evocative images of figures in landscapes, has become increasingly preoccupied with the way other creatures experience the world. Birds, mammals and fish have been her subject matter, and here, in this exhibition, we see a variety of insects: budworms (moth caterpillars), crane flies and carpenter bees. Characteristically depicting them as small details against broad backgrounds, Noguchi encourages us not only to see and appreciate these other life-forms, but also to imagine what it is like to be them. How does time pass for a budworm, suspended from a branch by a silken thread, on a windy day?

The Lucent Sea (2021/2023) is a video work made on a sea shore near where Noguchi lives in Okinawa. In a sequence of bleached out vignettes, the movement, of people, ships and clouds against the rhythms of waves and tides, is recorded at different speeds and so there is a pervasive strangeness, enhanced by our realisation that the filming happened during the COVID-19 pandemic. In an artist’s statement, Noguchi explains: “Maybe across the sea was another person looking out across the sea, trying to imagine what lay on this side. Did my gaze travel in a straight line across the sea? If my gaze travelled at a certain speed, how fast was that? Would my gaze intersect with that other person’s gaze somewhere on the sea’s surface?”

The imagined other might be non-human – an insect, even – and the vast ocean an analogy for the difference between us and them. The theme of alienness is threaded through Noguchi’s work overall and it applies equally to the way she sees other human beings and how they shape their environments. To the Night Planet (2015) is another video, documenting a bus journey through Berlin where she was living until 2015. It is night time and so the city is as darkly mysterious as the Okinawa seaside is lucent, the bright street lights and signs foiled by blackness. It is like travelling through a colourful galaxy, filmed in such a way to suggest that we are alien to ourselves.

Text by Jonathan Watkins

 


 

  • The doors will open at 6:00 pm on Tuesday 8th October 2024. Guests are welcome to visit the gallery anytime between 6:00 pm and 7:45 pm with advanced booking.
  •  During the event, limited copies of the below books will be available to purchase (cash only):
    • Noguchi Rika To the Night Planet 「野口里佳 夜の星へ」 at £30.00 
    • Noguchi Rika: Small Miracles 「野口里佳 不思議な力」at £35.00
  • This exhibition is curated by Jonathan Watkins.
  • This exhibition has been presented in collaboration with the Japan Foundation and the generous support of Taka Ishii Gallery and the Great Britain Sasakawa Foundation.

Japan Foundation, Taka Ishii Gallery and Great Britain Sasakwa Foundation logos

About the contributors

Noguchi Rika

Born in 1971 in Saitama, Japan. Currently lives and works in Okinawa. Noguchi graduated from the Department of Photography, College of Art at Nihon University in 1994. She began producing photographic works while a student at university. Noguchi is celebrated both in Japan and abroad for her richly poetic photographs characterized by a luminous colour palette, unique perspectives that chart a course between the microscopic and the macrocosmic, and choices of subjects that evoke primal human mysteries. Her work transcends the field of photography and has been shown in many international contemporary art exhibitions. In recent years, she has exhibited video work, drawings and sculpture, further expanding her artistic practice.

Major solo exhibitions include a feeling of something happening, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, 2001; I Dreamed of Flying, Hara Museum of Contemporary Art, Tokyo, 2004; Somebodies: Noguchi Rika, Ikon Gallery, Birmingham, 2004; Small Miracles, Tokyo Photographic Art Museum, Tokyo, 2022-2023. Major group exhibitions include Sharjah Biennial 8, Still Life: Art, Ecology and The Politics of Change, Sharjah Art Museum/Expo Centre Sharjah, Sharjah, 2007; 55th Carnegie International: Life on Mars, Carnegie Museum of Art, Pittsburgh, 2008-2009; YOKOHAMA TRIENNALE 2011: OUR MAGIC HOUR―How Much of the World Can We Know?―, The Yokohama Museum of Art, Kanagawa, 2011; The 21st Biennale of Sydney: SUPERPOSITION: Art of Equilibrium and Engagement, Art Gallery of New South Wales, Sydney, 2018; Manif d’art 9 – La biennale de Québec, Quebec, 2019.

 

Jonathan Watkins (Curator)

Jonathan Watkins is an independent curator and writer and was previously Director of the Ikon Gallery (1999-2022). Previously, he worked for a number of years in London as Curator of the Serpentine Gallery (1995-1997) and Director of Chisenhale Gallery (1990-1995). He has curated a number of large international exhibitions including the Biennale of Sydney (1998), Facts of Life: Contemporary Japanese Art (Hayward Gallery, London 2001), Quotidiana (Castello di Rivoli, Turin 1999), Tate Triennial (2003), Shanghai Biennale (2006), Sharjah Biennial (2007), Negotiations (Today Art Museum, Beijing 2010) and the Guangzhou Triennial (2012). He was on the curatorial team for Europarte (Venice Biennale, 1997), Milano Europa 2000, (Palazzo di Triennale, Milan 2000), and Riwaq (Palestinian Biennial 2007). He curated the Iraqi Pavilion for the Venice Biennale in 2013 and Floating World, Bahrain in 2017. In 2019 Watkins was the curator of Small Between the Stars, Large Against the Sky, the 9th Manif d’art Quebec City Biennial.

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