Private View:
Sleep, Lick, Leak, Deep….
by Maya Erin Masuda

13/14 Cornwall Terrace, Outer Circle (entrance facing Regent's Park), London NW1 4QP

Organised by the Daiwa Anglo-Japanese Foundation

Fully booked

This event provided the first opportunity to explore Maya Erin Masuda’s installation works in Sleep, Lick, Leak, Deep…. at the Daiwa Anglo-Japanese Foundation.

In her body of work, Masuda takes an intimate look at contemporary ecological traumas and biopolitics seen in particular chemical infrastructures or nuclear catastrophes. Born in Tokyo and based in London and Berlin, Masuda has often likened skin, the highly personal, physical and emotional boundary which living beings possess, to the national, necropolitical borders artificially constructed by human societies. For Masuda, her research trips to ecologically damaged sites are a liberating experience, deconstructing the discrepancy between an institutionalised human-planetary exploitation and her own sensations, brought about by finding the unbearable ecological intimacy embedded within. In this exhibition, Masuda thus provides a poetic, ontological breath which fosters a sense of interspecies belonging and points to the non-autonomous essence of all living agents. In this exhibition, Masuda thus provides a poetic, ontological breath which fosters a sense of interspecies belonging and points to the non-autonomous essence of all living agents.

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About the contributor

Maya Erin Masuda

Maya Erin Masuda (b. Tokyo) is a Berlin/Tokyo/London-based, queer interdisciplinary artist. Masuda brings her speculative ecological intersubjectivities to life through storytelling via film, performance, writing and time-based installations. Throughout her work, she delicately poses techno-biological questions by probing various planetary traumas and chemical infrastructures, seen in spatiotemporally diverse sites such as nuclear catastrophes. As an artist who has a background in machine engineering, Masuda proposes affective, sensual, intimate sites of knowledge production which interweave the non-human, the marginalised and the symbolic. Developing a kinship with the imperfect and political nature of technology, her work provides interspecies belonging and care as well as reparative attention across all beings, while suggesting an alternative future that rejects anthropocentrism. After obtaining her MA from the Royal College of Art (UK), she is currently researching post-nuclear culture in relation to new media at Universität der Künste Berlin (DE) under Prof. Nina Fischer.

Offficial Website: https://mayamasuda.net/
Instagram: @maya__erin