今までのイベント

Surviving the Tsunami: Salvaging and Digitalising Historical Photographs

Rikuzentakata, a city in Iwate Prefecture, lost more than 1,500 people and 80 percent of its homes in the tsunami in March 2011. The city’s museums, too, were not spared: The Rikuzentakata City Museum, which held an important collection on the history, folklore and natural history of the region, was completely destroyed. Much of its collection was swept away and its entire staff was killed. Keishi Mitsui, curator at the Tokyo Metropolitan Museum of Photography, talked about the salvaging operation underway to preserve these photographic materials and share lessons learned in order to plan for future disasters.

Yukio Mishima

Yukio Mishima was the most internationally acclaimed Japanese author of the twentieth century: prodigiously talented, dazzlingly prolific and a prime candidate for the Nobel Prize. Yet in 1970 Mishima shocked the world with a bizarre attempt at a coup d’état, which ended in his suicide by ritual disembowelment. In his radically new analysis of an extraordinary life, Damian Flanagan moves away from the stereotypical depiction of Mishima as a right-wing nationalist and aesthete and presents him as a man utterly obsessed with time – time-keeping devices and symbols – arguing that this compulsion was at the heart of the author’s literature and life.

Beyond Nationalism: Sharing Democratic Values between Japan, South Korea, and the Overseas Chinese Diaspora

Dr Masato Kamikubo used the “democratic peace theory” to argue that sharing democratic values between Japan, South Korea and the overseas Chinese diaspora is one possibility to overcome the crush of nationalism and enmity between China, South Korea and Japan and avoid conflicts in the Northeast Asia region.

Fukushima Daiichi: Coping after a major nuclear accident

It is clear from the accidents at Chernobyl (1986) and Fukushima Daiichi (2011) that severe nuclear accidents can occur, even if infrequently, meaning that coping strategies need to be developed in advance. Any mitigation strategy adopted will find itself in the spotlight of national and world opinion, and needs to be capable of rigorous justification, both to experts in the field and also to politicians and the general public, who have a particular fear of nuclear radiation.

The Power of Art

What is the power of art? What can art do? Can art deliver a social message, or any messages at all?

We invited Mami Kataoka, Chief Curator of the Mori Art Museum, one of Japan’s most active and prestigious galleries and James Lingwood, Director of Artangel, which commissions and produces exceptional projects by outstanding contemporary artists across Britain and beyond, to talk about the power of art.

Across the Three Pagodas Pass- The Story of the Thai-Burma Railway

“Across the Three Pagodas Pass” is a translation of the only known detailed account of the building of the notorious 262-mile long Thai-Burma Railway by one of the Japanese professional engineers who was involved in its construction. The author, Yoshihiko Futamatsu, provides an invaluable new source of historical and technical reference that complements the existing large body of literature in English on this subject.

The Art of Soup- A Taste of Fukushima

Ei Arakawa started the UNITED BROTHERS art collective with his brother Tomoo Arakawa in 2011. Their purpose is a mediation between the reality of Fukushima (where they were born) and the reality of the international art world at large. UNITED BROTHERS created the Green Tea Gallery, and is participating in the new Live Section of this year’s Frieze Art Fair with their new work Does This Soup Taste Ambivalent? Arakawa discussed this new performance of giving away soup containing an ingredient grown in Fukushima.

Japan’s Modern History, 1857-1937

Professor Junji Banno is a prolific and widely read writer on the political history of modern Japan, whose many insights into its kaleidoscopic politics from the middle of the nineteenth century until the late 1930s have re-written various aspects of Japanese political history. This translation of his latest work by Professor Arthur Stockwin treats eighty crucial years of history with a combination of synoptic overview and fascinating detail.

Film Screening: Brakeless

On Monday April 25th 2005, a West Japan Railway (JR West) commuter train crashed into an apartment building and killed 107 people when a driver tried to catch up with an 80-second delay. Since the accident, the official committee report has concluded that the direct cause of the accident was over-speeding and JR West have agreed to pay compensation for the victims and changed the timetable. However, the fundamental question has remained unanswered – what made the driver risk so many lives for an 80-second delay?

Keeping the doors open between China and Japan - the role of personal networks and Track II diplomacy

Track II Diplomacy is a way for private individuals to meet unofficially and find their way to common ground when official negotiators cannot. NGOs, academics, and ex-officials often act as Track II diplomats in having unofficial conferences and conversations about pressing issues, and have sometimes brought them to a successful conclusion. Official government-to-government interactions are not necessarily the most effective methods for resolving differences between nations.

Nation, Dice, Instruction, – Private View and Artist Talk

Satoshi Hashimoto is currently one of Japan’s most ‘alarming’ artists, producing works of art that make the viewer feel like someone witnessing a traffic accident. By somehow “questioning your stance”, “ignoring you”, “making a contract with you” or “transferring ownership to you”, they transcend social laws and morality and turn you into a participant, not just an observer.

The Power of Conscience

Chiune Sugihara, a Japanese diplomat based in the Japanese consulate in Kaunas, Lithuania in 1940, went against his superiors and granted visas to Jewish refugees looking to escape Europe by travelling to Japan via the Trans-Siberian Railway. Virtuous behaviour seems to be strongly linked to the notion of conscience, that inner voice that tells us what we ought to do. But when and how do we learn conscience, or are we born with it? Is conscience synonymous with ethics, morals and a sense of justice? Morals and values differ from country to country, so do cultural values influence people’s conscience?